Shyam Benegal, Icon of Parallel Cinema, Passes Away at 90

Shyam Benegal, a pivotal figure in India's Parallel Cinema movement, has passed away at the age of 90. The filmmaker, recognised for his realistic and socially charged films, significantly altered the landscape of Indian cinema in the 1970s and 1980s. He passed away in Mumbai, following a prolonged struggle with chronic kidney disease. His death was confirmed by his daughter, Pia Benegal, who stated that his condition had worsened over time.

Benegal was hospitalised at Wockhardt Hospital in Mumbai after his health began to deteriorate in the days following his 90th birthday on December 14. Despite battling his illness, which required regular dialysis, Benegal had remained engaged in filmmaking. On his birthday, he mentioned working on several projects, though he had not decided which one to prioritise.

Known for his films like Ankur, Bhumika, Mandi, and Junoon, Benegal is widely credited with redefining Indian cinema through his exploration of social issues and his departure from the typical Bollywood formula. His career, which spanned documentaries, feature films, and television series, left a lasting impact on the industry.

Benegal was born in Hyderabad, and his early years were shaped by his family’s artistic background. His first major foray into filmmaking came with his documentary Gher Betha Ganga in 1962. He then made a name for himself with the early new wave films Ankur (1973), Nishant (1975), and Manthan (1976), which marked his entry into mainstream recognition.

His work was not confined to just cinema. Benegal also directed significant television series, such as Bharat Ek Khoj and Samvidhaan, which further showcased his ability to tackle complex social themes. In addition, his tenure as the Director of the National Film Development Corporation (NFDC) from 1980 to 1986 saw him support and nurture new talent in the Indian film industry.

Though Benegal’s health had been a concern in recent years, his contributions to Indian cinema continue to be felt. His films, often marked by their sharp critique of society and politics, remain highly regarded and influential.